The shippers have sailed

For the life of me, I do NOT understand hardcore "shippers." For those not familiar with the term, "shippers" (short for "relationshippers") are TV fans who base their entire enjoyment of a show on the successful resolution of a romantic subplot between their favorite characters. Usually, there's a cute portmanteau attached to the couple, like "Jam" (Jim and Pam from The Office) or "Jaters" (those who want Jack and Kate from Lost to get and stay together).

Shippers have been around forever, though they've really gained cultural currency with rise of internet message boards. I first remember the phenomenon with Mulder and Scully on The X-Files, but this week, shippers got some notoriety because of the whole Chuck and Sarah situation on Monday's episode of Chuck. Evidently, the NBC message boards were melting down, but you can get a good read on it in the comments of Alan Sepinwall's review of that episode here. (312 comments and counting!). Shippers were OUTRAGED that Chuck would decide to start dating the adorable new Nerd Herder Hannah, while Sarah would decide to mack on new secret agent man Shaw. Some fans went so far as to call for a boycott of the show, in order to teach the producers/writers "a lesson," and make them bring their favorite couple back together. (This is, of course, completely devoid of logic, as A) they're already waaaay ahead in the writing and production schedule, so a boycott would have little effect on plotlines, and B) any severe dip in the viewership of the show - one that's consistently been "on the bubble" for renewal anyway - would result in its cancellation entirely). Virtually every TV critic had some type of reaction to this supposed controversy, and it even prompted Sepinwall to get on the phone with the Chuck producers to address the situation. Whew.

I realize that fanbases can get passionate about the romantic pairings of their TV heroes. (Buffy with Angel? Buffy with Riley? Buffy with Spike?) But to call for an action that would result in the show you profess to love, and which inspires so much online dialogue and consternation, being axed? Doesn't that seem a bit extreme?

Hey, I love a good romantic coupling as much as the next fan. Last season's surprise pairing of Sawyer and Juliet on Lost was extraordinarily moving. I totally dug Willow and Tara together. And my favorite TV relationship ever was undoubtedly Crichton and Aeryn on Farscape. But would I quit watching a show, and encourage others to do so as well, just because my preferred pairing didn't work out exactly the way I wanted it to, when I wanted it to? Uh, no.

That's not to say that I don't experience frustration, as a viewer, when relationships don't work out. But it has less to do with the romantic pairings and their "togetherness" than it does with the illogic and clunkiness of the plotting and writing. For example, even though I just praised the Sawyer and Juliet relationship in the preceding paragraph, I rolled my eyes so far back into my head I tangled my optic nerve during last year's finale when Juliet decided to go along with Jack's stupid plan just because of a "look" between Sawyer and Kate. Bones thrives on the "will they or won't they" chemistry between the leads, and often goes to ridiculous extremes to keep the unresolved sexual tension simmering between them (Brain tumor? Amnesia? Please).

But here's the thing. Lost isn't completely about who Kate winds up with. Chuck isn't solely about a nerd winding up at a "rose ceremony." If that's all you get out of the show you watch, then maybe you're watching the wrong show.

Finally, with regard to the Chuckpocalypse, a few additional thoughts:

Why am I suddenly reminded of this?

If you're so invested in this show, then of course you realize that it IS a TV show, right? So then you know that Brandon Routh (Shaw) and Kristin Kreuk (Hannah) are guest stars, signed only for a limited number of episodes. So do you really think they are going to keep Chuck and Sarah apart forever?

From two plus years of Chuck watching, I think we can reasonably assume that the producers' end game will involve having Chuck and Sarah wind up together. (Schwartz and Fedak don't strike me as the Whedon type who will have their star crossed lovers realize their romantic longings, only to have one of them turn evil or die tragically). So if that's your ultimate goal, then have a little faith in the creators and the story they want to tell.

And doesn't Chuck seem like a show that's odd to take so seriously? Don't get me wrong, I find it's a fun way to spend an hour on a Monday night, and hell, I even bought a Subway sandwich last year as part of the renewal effort. But at the core, it's a lightweight, entertaining, 80's pop-culture romp. Can't we just enjoy it for that? Even when a show that takes itself seriously, like Battlestar Galactica, doesn't "stick the landing" completely in the end (or have the characters make the decisions we'd want them to make), it doesn't detract from the hours and hours of quality storytelling and performances we got from the producers. I'd rather the creators follow through with their vision, and agree to disagree with the journey and/or the destination, than have them tremble in fear and change course because the fans are vocal in their disapproval over one thread in a complete tapestry.

TNRLM Emmy Shortlist: Comedy Series

 

In many ways, TV’s best sitcom is also its most “traditional.” Big Bang Theory is a three camera set up, is only 30 minutes long (as opposed to the hour format of others on this list that are hour long action/fantasy/comedy hybrids), and doesn’t feature hyper-stylized shifts in narrative and time. That, in and of itself, doesn’t make BBT make so good. What does, is that it puts five unique and interesting characters into situational comedy, without sacrificing character integrity, and consistently mines those characters and situations for big laughs. You don’t have to be a big old geek to love BBT (though if you are, you’ll appreciate just how many details they get right about nerd culture); you just have to be a fan of comedy done right.

 

Chuck, like the other hourlongs on this list, is difficult to classify. It’s not a pure drama, though there are life and death stakes and moments of heartbreaking poignancy. It’s not a total action adventure spy romp, though they can stage Bondian capers on a TV budget with ease. It’s not a sci-fi show, though they feature enough gadgets, gizmos, plots for world domination and techy concepts to fit right in with a starship crew. And it’s not a pure comedy, even though Chuck brings the funny each and every week with not only the zany antics of the Buy More crew, but also within the spy realm (what other show would cast Chevy Chase as an evil genius, and have it work so remarkably?). Despite the genre bouillabaisse, Chuck upped its game in its second (and thankfully, not final) season, and consistently put a smile on the face of its devoted fanbase.

 

At this point, do any of us really care about the mother? Sure, it’s the maguffin that keeps the show rolling, but that’s not why we tune in week after week. In fact, even though Ted’s quest for a wife is where the show gets its title, ask any How I Met Your Mother fan to rank their favorite characters, and I’m fairly sure Ted would average out to fifth place. Though that has a bit to do with Ted’s ongoing douchiness, the rest of HIMYM’s cast is so strong and so adept at handling the comedy that it doesn’t hurt to have your ostensibly “central” character be the caboose on the funny train. In addition to the eponymous search, the other notable feature of the HIMYM style is the fractured narrative method of storytelling, circling back on itself not only within one episode, but also going back in time to previous seasons, the college days with bad wigs and forward to the future, with all our characters in old age makeup. Even though “how” they tell the stories is just as amusing as the stories they tell, the technique is never distracting and almost always adds to the payoff of a carefully constructed comedy denouement.

 

For the life of me, I’ll never understand why The Middleman didn’t get more love from critics and audiences. Maybe because it was hopelessly out of place on teen and woman centric ABC Family. Or maybe because it was hard to know what to make of the show at first glance. Was it a superhero show? A sci-fi show? A comedy? An adventure show? A spoof? An homage to the silver age of comics? One of the best written shows on television? The answer to all of these questions is “YES.” The Middleman was like a fusion of the old Batman TV show and Get Smart, if written by Stan Lee and 60s era Woody Allen. It featured a hopelessly square, and square jawed, milk-drinking crimefighter prone to nonsensical exclamations like “Sands of Zanzibar!” and “Hawks of the Luftwaffe!” who teamed with spunky and thoroughly modern partner Wendy Watson to take on threats like flying zombie fish, cursed tubas and vampire puppets. The Middleman had some of the most torturously tangled, and side splittingly funny, dialogue I’ve ever heard (very similar in its construction, if not tone, to the also exquisitely written Pushing Daisies), and it was delivered by a game and winning cast that expertly strode the line between comedy and camp, making the show a true undiscovered gem.

Another show that didn’t get the attention it deserved was the Starz original, Party Down. Created by Veronica Mars mastermind Rob Thomas (along with Paul Rudd, John Enborn and Dan Etheridge), Party Down chronicled the misadventures of an LA catering crew made up of Hollywood wannabes and has-beens, with each episode centering around a particular engagement. The characters were all sharply drawn, strongly written and winningly acted by a very, very talented ensemble. Each of the characters got moments to shine, and they were supported by a murderer’s row of guest actors including Steven Weber, Enrico Colantoni, JK Simmons and Kristen Bell, among others. Party Down has a little something for everyone: the uncomfortable cringe comedy of The Office, broad laughs and sight gags, caustic nerdiness, an improvised shagginess and vibe, romantic travails, and sly commentary on the economic disparity between the haves and have nots. Party Down has already been renewed for a second season, so I can’t wait to see where they take it next year.

 

Pushing Daisies is yet another sweet, rich, wry, wonderfully developed comic universe created by Bryan Fuller (along with Wonderfalls and Dead Like Me) to be canceled well before its time. It’s tragic, really, since nobody on television produces such beautiful little communities inhabited by brilliantly realized characters better than Fuller. While the set design and achingly twee construction of the show’s world set it apart from anything else on the tube, it’s the fitfully intelligent scripts, and the perfectly cast actors that perform them, that make Pushing Daisies a modern masterpiece. If only the piemaker could use his powers to bring this beloved show back.

 

I almost didn’t include 30 Rock on the list (replacing it with Better Off Ted), since this season was so hit and miss. Some ongoing plots, like Liz’s awkward relationship with Jon Hamm’s “so pretty he’s coasting” doctor worked fine, but others, like Jack’s romance with Salma Hayek (who really didn’t have the comic timing for this show) flopped on the beach like a gasping trout. But we don’t necessarily watch 30 Rock for carefully constructed plot arcs and a mirror view of real life. We watch 30 Rock because A) Liz Lemon and Jack Donaghy are two of the best comic characters around today, and B) it has the highest ZPM (Zinger Per Minute) ratio of any show on TV, and on that front, even though it wasn’t up to the high points of seasons past, 30 Rock still delivered laughs aplenty. And that’s not such a bad thing.

Emmy Shortlist: Comedy Lead Actors

TNRLM Shortlist: Lead Actor/Comedy

Alec Baldwin, 30 Rock: While 30 Rock may be maddeningly inconsistent, Baldwin is most assuredly not. While this season didn’t bring anything as howlingly funny and “instant classic” as Tracy Jordan’s therapy session, Baldwin still did yeoman’s comedy work every episode, including funny pokes at his Malice character and having his “double” show up in a Mexican telenovela.


Matt Keeslar, The Middleman: Last year’s best new show didn’t attract the attention it deserved and got canceled, but Keeslar’s performance as the milk drinking, aw-shucks hero was note perfect. “I’m as serious as a hefty bag full of rottweilers!” when I say Keeslar deserves a nomination.


Zach Levi, Chuck: Chuck’s second season amped up everything, including the emotional stakes, and Levi deftly anchored the show’s evolution from pleasant diversion to must see TV. Who else could motivate the interwebs to run to their local Subway to “save Chuck?”


Lee Pace, Pushing Daisies: Ned had a lot to deal with this year, and Pace expertly handled the complex twists and turns of his relationship with Chuck (and their extended families), all while navigating the poetic dialogue in an endearingly matter of fact deadpan.


Jim Parsons, The Big Bang Theory: BBT has evolved into TV’s best sitcom, and if there were room, every single player on the show would be nominated. However, Parsons takes a role that could quickly devolve into the “audience whoops when he enters” equivalent of JJ Evans or Cosmo Kramer, and gives him a disarming charm no matter how annoying the character’s behavior is on the surface. Not many people can make knocking on a door (three times in a row, of course) laugh out loud funny, in addition to providing one of the season’s biggest highlights dealing with getting a napkin signed by Leonard Nimoy.

James Roday, Psych: Tony Shaloub got lots of Emmy love (and rightfully so) for his portrayal of Adrian Monk, so how about a little love for the “other” USA Network detective on Friday nights? Since Roday dialed down the “fake psychic” histrionics, his Shawn Spencer has been an 80s pop culture spewing delight, making a know it all oddly likable.

Adam Scott, Party Down: While Party Down is pretty much a true ensemble, Scott’s Henry is the emotional center of the show, and his disillusioned deadpan was an engaging audience counterbalance to some of the broader comic creations around him.




TNRLM Shortlist: Lead Actress/Comedy

Christina Applegate, Samantha Who: The show’s high concept never quite lived up to Applegate’s lead performance, which showcased her innate sweetness and deft comic timing.



Kaley Cuoco, The Big Bang Theory: The writers didn’t really know what to do with Penny in the first season, but the character (and Cuoco) really came into her own this year. Once she started to embrace the geeks next door on their own terms, Penny found a comfortable and welcome place in the storylines, and her situational pairings with Sheldon were comic gold.


Tina Fey, 30 Rock: Liz Lemon’s nerdy desperation never fails to disappoint, and her dysfunctional relationship with Jon Hamm’s Drew gave Liz more to do than just spew hysterical office-based one liners.


Jenna Fischer, The Office: The “Michael Scott Paper Company” plotline was hit and miss, but it certainly gave Fischer’s Pam more to do, and that’s always a good thing. Her “Jerry Maguire” moment with Michael, realization of what she’s done, and growth into a sales position was a nice extended character arc and highlight of The Office’s season.


Anna Friel, Pushing Daisies: Friel gives you faith that sunny optimism and a central lightness can be awesomely appealing without being cloying or saccharine.




Yvonne Strahovski, Chuck: As good as Zach Levi was on Chuck, nobody would invest in the show quite as emotionally if it wasn’t for Strahovski’s shaded performance as his conflicted handler, Sarah Walker. The audience believes that Sarah could fall for the erstwhile Nerd Herder, just as they can believe she can kick some serious ass.

Emmy Shortlist: Comedy Supporting Actors

It’s that time of the year, now that the regular television season is over, when folks start putting together a short list for Emmy Nominations. I’ll do mine in few installments, starting today with supporting performances in a comedy.

TNRLM Shortlist: Supporting Actress/Comedy

Lizzy Caplan, Party Down: Caplan’s Casey, a wannabe stand up comic coming out of a bad long distance relationship, was a great romantic foil for Adam Scott’s Henry, creating one of the most deadpan comic couplings this year (Caplan was also fantastic in True Blood last year, as Jason’s unhinged blood junkie girlfriend).


Kristin Chenoweth, Pushing Daisies: A tiny whirlwind of comic charm and spunky sass, with bonus points for glorious singing.



Portia de Rossi, Better Off Ted: Veronica was as icy and buttoned up as Lindsey Funke was scattershot and dimly self aware, and both were played to perfection by de Rossi.



Jane Lynch, Party Down: Lynch is hit or miss for some folks, and I’ll admit that a little of her goes a long way. Party Down used her to great effect as a bawdy former C-level actress.

Cobie Smulders, How I Met Your Mother: Both ladies (including Alyson Hannigan) from HIMYM are worthy, but since Hannigan was sidelined for month or so on maternity leave, let’s give the show’s nomination here to Smulders, who did great work all season, culminating in a terrific finale with Barney.


Jenny Wade, Reaper: Though the plotting in Reaper was as disappointingly unfocused as last year, the performances really stepped up. Wade was a fantastic addition to the cast, giving her “reformed” demon an adorable quirkiness underscored with some not so human menace.



TNRLM Shortlist: Supporting Actor/Comedy

Adam Baldwin, Chuck: First, we have to address the question of whether or not to classify Chuck as a “comedy,” since it’s a little bit of everything (romance, comedy, spy caper, action adventure). Given how loaded the pure “drama” categories are, and how many smiles and chuckles Chuck brings to the party, I think it’s fine to put it here, and nobody does more with less than Baldwin’s Agent Casey. Whether it’s a grunt, a look or a nod, Baldwin is consistently entertaining, funny and badass.

Rick Gonzalez, Reaper: It took me a while to warm up to Gonzalez. I couldn’t stand his performance or his character on Reaper last year, but he completely won me over in the show’s second (and hopefully not final) season. His romance with Jenny Wade’s demon Nina was the heart of the show this year, and his off-kilter and underplayed line readings were appreciably surprising and delightful.

Neil Patrick Harris, How I Met Your Mother: Harris should be a shoo-in winner in this category. He takes what could be a broad cartoon in a lesser actor’s hands, and infuses the scheming, womanizing Barney with an innate likeability. A masterful creation, masterfully played.

Chi McBride, Pushing Daisies: Reliably exasperated and caustic, McBride handles the labyrinthine plot twists and tangled, brilliant dialogue with aplomb.




Jason Segel, How I Met Your Mother: Marshall and Lily’s relationship is one to envy, in no small part because of Segel’s ability to play endearingly schmoopy. Plus, this last season gave him a chance to show more of a bromance with Barney, a welcome pairing we haven’t seen that often before.

Ray Wise, Reaper: Wise’s grinning, malevolent Prince of Darkness is a consistently terrific comic creation, completely dominating the screen while taking souls, looking for love or running a suburban botox party. If Reaper doesn’t get picked up by another network (or sold into syndication), I’d certainly watch a half hour sitcom with the Devil as a central character. He’s that “good.”

Season Finale Haiku

Chuck
"Guys. I know kung fu!"
Happily, not the last words,
We will hear Chuck say.

Lost
Not all black and white.
Lots of secrets to Un-Locke.
Kate still fucks it up.

Bones
What the hell was that?
Babies, brain tumors and sex?
I want amnesia.

How I Met Your Mother
Mom is in the class?
Don't care since we have Barney,
Robin and Aldrins.

Terminator: The Sarah Connor Chronicles
Goodbye, smart sci-fi.
Loved the cast, and this John C,
Won't scream at DP.

American Idol
"Golden Idols" suck,
Homophobia clouds vote,
Kara fun at last.

House
Hallucination?
Only good cuz of Cutthroat.
Hugh still awesome, though.

Dollhouse
Wash is a badass.
Love for Adelle knows no bounds.
Bring on season 2.

Battlestar Galactica
All just chess pieces,
Cuz god did it all along.
Where did Starbuck go?

Fringe
Dimension doorway,
Hey look! It's Spock! Walter rocks.
Peter spry for dead.

Desperate Housewives
Please, Dave, kill Susan.
Did anything fun happen?
Why do I still watch?

The Office
God no! Not babies!
Always kills a show for me.
Picnics are awkward.

Supernatural
Heaven has cold beer.
And burgers. Angels are dicks.
Ruby can't act. Bye!

24
Kim and no cougar.
Red is hot and goes Jack-side.
Quiet end. Good day.

Heroes
More lame upon lame.
Put B. Fuller on GOOD show.
Cast can't save plotting.

I'll take potpourri for $5,900, Alex

Happy Birthday, Christina Hendricks!

109 has a look at sci-fi time loops.

Wil Wheaton remembers the Atari. God, I loved that machine. I tried a few times to get into a Nintendo, Sega or X-Box, but there are just too many damned buttons. Joystick and red button, and blow shit up. That's the ticket.

Banning comic sans, the ugliest and most overused font EVER.

Has Chuck been saved? Hey, I bought my $5 footlong! More Chuck, please!

Gillian Anderson on Doctor Who? Swoon.

Swine Flu panic? Let the movies show you how to handle it.

Lostpedia interviews Darlton.

A Lost "in memoriam."

Favorite TV hangouts.

Holier than thou gasbag Sean Hannity calls Kim Kardashian a "role model" for girls. A. I don't think he does much research, and B. when his daughter is getting fucked on camera for a porn tape, maybe he might want to revisit that statement.

Galactica Sitrep found these odd little videos, with animated characters bitching about BSG to a clown standing for Ron Moore.

If this is the case, I should be the least lonely person alive.

E! talks to Dollhouse's Topher.

Paleyfest report on Fringe.

Fake tits, "real" marriage and empty heads.

Anna Faris will start in a new comedy about that age old relationship irritant: What's Your Number? Apparently, her character sets a limit on the number of dudes she can bang in her lifetime: 20. If one of my exes had done that, she'd have hung up her panties during recess.

Speaking of which, I find it odd that this headline was from Columbus Ohio.

Yep, that's my home state. Forget the fish, bread and eternal life. Nothing says benevolent mythological deity like an affordable Korean car.

Like a lot of sci-fi fans, I enjoyed Ender's Game. But the author is a whackjob, and just joined the NOM, to "declare war on the government" if they recognize marriage equality. I guess giant space insects are bigots, too.

Another good interview with Darlton, from Variety.

Televisionary talks with Caprica showrunner (and writer of Friday's AWESOME Dollhouse ep, "Briar Rose") Jane Espenson. BTW, I saw Caprica on DVD, and it was terrific. Highly recommended.

Atlanta sports fans rejoice. Our long national nightmare is over: Terence Moore leaves the AJC. (Typical column: bad owners, race, Aaron, Braves suck, race, bad sentence, race, Big Red Machine, race. Oh, and race).

Good look at UGA from Tony Barnhart.

The 5 Hardest Things to do in Acting. I guess "read dialogue in a George Lucas movie" or "convey emotion in a Michael Bay movie" just missed the cut.

Bubble Watch

It's that time of the year when TV show renewals are in the air, and that brings the dreaded "bubble watch."

Because the great unwashed masses are generally too dumb or inattentive to appreciate quality work, or because of the limited broad appeal of genre fare, many of the shows I wind up loving often face the damned bubble. Fortunately, some of my most loved shows are already guaranteed (or almost a lock for) a place on the schedule next year, such as Lost, Supernatural, Fringe and Big Bang Theory (among 50+ others with a place of honor among my Season Passes). Others aren't so lucky:

How it would hurt if these shows were cancelled:

Gaping, sucking chest wound; punctured eyeballs; followed by being set on fire:

• Chuck (The most charming show on TV. A little bit of everything: espionage, laughs, romance, intrigue, action. Go buy a Subway sub on Monday!)
• Dollhouse (Like most of Joss's shows, this is really hitting its stride as it gets deeper into the mythology and characterizations. Been nuthin' but AWESOME since "Man on the Street.")
• Terminator: The Sarah Connor Chronicles (Is there no room on TV for intelligent, well written sci-fi?)

Compound fracture of the tibia:

• Castle (A cut above the usual procedural with likable characters and charisma to burn).
• Reaper (wandering and amiable, but holding its own against the Idol juggernaut. The addition of Nina and Morgan has helped, Ben is a deadpan master, and Ray Wise's Devil is Emmy worthy).
• Party Down (Really funny, with distinct characters and an offbeat tone).

Vicious punch to the solar plexus:

• Better Off Ted (Why isn't this fantastical workplace sitcom, which never fails to make me laugh, getting more attention?)
• The Unusuals (Another cop show, sure, but at least it's trying something different).
• Law & Order (I've been with it from the beginning, and this current cast is fantastic and the best since the glory days).
• Lie to Me (Unique premise that's held up better than I thought it would thus far. Tim Roth and Kelli Williams are great, and Jennifer Beals showed up last night as Roth's ex-wife. Good stuff).
  

Hangover:

• Samantha Who (Yeah, it's kind of slight, but Christina Applegate is a fantastic comic actress).
• My Name is Earl (Even when it aims and misses, Earl has a great top to bottom cast who can handle anything from farce to heartwarming).

I'll take potpourri for $5,400, Alex

Here's a great add on for your Firefox browser: FoxyTunes. It adds controls for iTunes right into your browser, saving the laziest among us from having to (gasp!) toggle back and forth between two programs if you listen while you surf. (h/t T-Recs)

Still haven't gotten your fill of Watchmen? How about a movie podcast with Kevin Smith discussing the film? It's long, but awesome. (And the podcast was interesting enough that I went back and subscribed to the /film podcast. Lots of good geekery in there).

Dollhouse and Sarah Connor show ratings improvement! Both shows are also showing plot and content improvement, but will it be enough to get more seasons?

Joss talks to TV Guide about next week's pivotal episode.

The Live Feed chats with Ron Moore about the BSG finale.

EW has a fantastic slideshow walk through the history of BSG.

Buddy TV's list of the top 25 eps of BSG.

Carla Gugino's 5 favorite films (and cool that it includes 12 Monkeys).

Because no one can see enough Christina Hendricks pictures.

SI's Andy Staples looks at the SEC.

A funny comic for fans of the Watchmen graphic novel.

Just in case there's a gift giving occasion coming up.

Does this mean that Michael Vick's salary will be paid by taxes on the successful?

Scans of TV Guide (print version) feature on BSG.

Want a close up look at Chuck's chart from the back of the Tron poster? Look here. More on Chuck here.

What if Stan Lee wrote Watchmen?

Could there possibly be 10 defenses for the Howard the Duck movie?

These anti-bay marriage people are really lunatics. And I totally want to marry a robot.

SFX talks to the guy that's showing up on every TV show I watch, Mark Sheppard.

Interview with Nathan Fillion.

Patton Oswalt geeks out about Watchmen, Dollhouse (he's on Friday's ep), BSG and Burn Notice.

They're doing a "reimagining" of V, the childhood mini-series about alien lizard people invading Earth. And the iconic role of the hot alien leader will be played by Morena Baccarin.

I'll take potpourri for $4,800, Alex

ESPN went through one of their typically hyperbolic "ranking" processes, though this one got less pub than their "Mt. Rushmore" or "Who's Now" nonsense, to determine the "Prestige Rankings" of various college football programs. According to their system, UGA ranked 14th.

TWOP has a good recount of the comedies and dramadies that were cancelled way before their time. A sad list.

The NYT has a nice look at Adam Baldwin (Chuck's Casey, Firefly's Jayne).

JJ Abrams talks to the LA Times about the new Trek. Part 1 here, Part 2 here.

Ray Lewis says his free agency plans are in the hands of god now. No word on whether or not the big guy upstairs will chat with afterlife denizens Jacinth Baker and Richard Lollar to get their take on the particulars of the LB's contract negotiations.

A question from Bill Simmons latest ESPN chat:

Tommy Hawk (Crozet, VA): Is it just me or have Juliet's "hoo-ha's" gotten bigger through these seasons of Lost? If this is a side-effect of time travel, then there are going to be a lot of women risking the nose bleeds and finding themselves a "constant" to get on this island!

An astute observation. Yet another reason to love Juliet.

Extraterrestrial Roman Empires. (As a kid, I had a hardbound copy of that "Trigan Empire" comic collection. It was pretty damned cool).

DawgSports looks at breaking out the black jerseys in the future. For the record, I voted "Only games against major rivals should be blacked out, and then only on special occasion"

Could some craptacular Gulliver's Travels movie keep the delectable Emily Blunt out of Black Widow's spandex? Noooooo!

One more reason to love the oh-so adorable Jenna Fischer. She calls the message indicator on her CrackBerry the "red light of love."

The Weather Channel founder weighs in again on the "global warming" scam.

One of TV's best shows, The Middleman, coming to DVD!

Cute! Guess the Lego movie star.

A look at the hottest women of Star Trek. Some interesting choices in there, but I don't agree with their number 1 selection (if the list isn't topped by the reason we have a President O, then the list isn't entirely valid).

Finebaum's takedown of Hello Kiffykins.

The Daily Beast talks to Joss Whedon about Dollhouse.

Mo Ryan previews Monday's 3-D Chuck. Look, I like The Office. But don't we think that several years in, it's as big as it's going to get? Wouldn't it be better to give the post Super Bowl slot to a show that's a bit of an undiscovered gem, and could use the boost? Like Chuck, for example?

Good films by supposedly bad directors.

AWESOME "chart porn" from io9 on how to create your own original Star Trek adventure.

A funny look at how to write a Super Bowl story, depending on your forum.

TV Guide's favorite Sawyer nicknames.

No matter which way you take it, I'm buying what she's selling.

Please, please spare me this drivel during the game. Does Odin care who wins the game? Does Zeus? Does Anubis? The Flying Spaghetti Monster? However, I think Garuda might be pulling for the Cardinals.

Japanese Watchmen toys. Adorable. (which is kinda funny, given the nihilistic and dark tone of the book).

More ridiculous pandering and posturing and wasting of taxpayer dollars from our elected officials. (Isn't there a little bit more to be preoccupied with now?!) To save the children!! Look, does anyone think this noise would be loud enough to actually be heard? Or that regular (non "noise making") cameras wouldn't be used for "nefarious" purposes? Or that video couldn't be used instead? Jesus Tittyfucking Christ, this kind of stuff makes me understand the terrorists.

Stewart Mandel looks back at the high school QB class of 2005. (Joe Cox was number 6, BTW).

An unbelievably fun look at 1970s sci-fi. How many do you recognize?

Are these the ugliest uniforms known to man? Even worse the the Vols, Gators or Clemson?

I'll take potpourri for $4,600, Alex

This week's roundup features and extra helping of geek. Enjoy.

RIP, Ricardo Montalban. Just for good measure. Also, 16 things you may not know about TWoK.

As well documented in the blogosphere, ESPN is increasingly populated with self-absorbed asshats with a tired schtick. However, a rare bright spot on the tube and on the radio is Scott Van Pelt. Here's a good interview with him at The Big Lead.

The Mad-Pocalypse has been averted. Matt Weiner signs for two more seasons. Everyone fuck around, have a martini and smoke up!

A Veronica Mars flick? Get me tickets and popcorn, I'm there.

The Top 50 sci-fi costumes. And here's a detailed history of one all the geeks know is on that list.

Soft-core sci-fi sex coming to Skinemax?

I consider myself a treasure trove of nerd trivia. But I never knew that EJO was offered the role of Captain Picard.

Here's another one for you. Did you realize that Nathan Fillion auditioned for the role of Crichton on Farscape (that eventually went to Ben Browder)?

I'm too old, and geographically undesirable. But seeing ads like this gives me hope for mankind.

The talented and smoking hot Emily Blunt in the Iron Man sequel, possibly as The Black Widow? Mmmmmm.

Speaking of hot and talented, an interview with Amy Acker.

Mo Ryan continues to get geektastic interviews, this time with the Lost boys. Good stuff. Wednesday! Wednesday!

After all the naysaying and hand-wringing over Dollhouse, a few reasons to be optimistic.

Good news for Mondays: Leonard's mom on BBT gets cast, as does Chuck's dad on Chuck.

A solid list of the Top 25 episodes of Angel, along with the 5 worst. (And yep, those are definitely the top 2 worst).

17 revamps that went better than expected.

Reasons to look forward to the new TV season.

Tim Tebow! Praise be to Allah!

Some insight into what's shaping up to be another great season of In Treatment.

Finebaum's SEC coaching rankings. Hard to argue with it.

TNRLM's Best of Television 2008

In many ways, 2008 was a down year for television, with the strike disrupting or derailing the continuity of the programming schedule, and "reality" TV continuing its plague-like spread across the airwaves. Yet amidst the chaos, several shows stood out above the rest, and here is the TNRLM Top 10:

(Quick note: two shows that appear on virtually every Top 10 list this year are The Shield and The Wire. For whatever reasons, I never got into either of them, and can't accurately assess their quality. Perhaps that will be a summer DVD Project).

1. Lost. Now that Team Darlton have a confirmed end in site, the show ratcheted up the pace and responded with a stellar season light on the filler and heavy on the drama. The "flash forwards" added a thought-provoking new dimension to the narrative, and the new characters (Faraday, Charlotte, Miles, Lapidus) were all fascinating, well acted and spot on. Plus, Lost gave us the single best hour of television this year with "The Constant."
2. Battlestar Galactica. The sci-fi show for people who don't like sci-fi shows. This gritty, mesmerizing drama features the finest ensemble cast on the tube, and despite being set in a world with robots, spaceships and prophecies, always retains its focus on what matters: the characters.
3. Mad Men. Season 2 refused to push the "action" forward at a breakneck pace, instead languorously taking us through the existential crisis of adman Don Draper, and we were all the better for it. Like Lost and BSG, Mad Men offers a cast with depth and talent to burn, and the stories that didn't focus on Don (Peggy's growth, Pete's realizations, Duck's machinations, Roger's divorce) were just as fascinating.
4. The Middleman. This (sadly) little watched gem on ABC Family pulled off the most difficult high-wire act of the year, straddling the line between cult and camp with a verve, wit and energy I can't recall seeing before. The laugh out loud scripts and wordplay were matched only by the precisely calibrated and endearing performances. "Mutual of Omaha!" "I’m as serious as a hefty bag full of rottweilers " when I say I will buy this baby on DVD the second it comes out.
5. Pushing Daisies. Thanks to my relocation, I missed the boat on this one when it first started, but I quickly caught up and found this quirk-filled beauty a total delight. I was also in love with Bryan Fuller's other fantastical show, Wonderfalls, and Pushing Daisies upped the ante on that show in every conceivable way. The central premise is intriguing enough (a piemaker who can raise the dead, and solves crimes with his just resurrected longtime love and a caustically sarcastic PI), but you compound that with candy-acid set design and cinematography, Emmy-worthy performances, musical interludes and a rich mythos, and you have something truly unique. Despite their radically different settings and concepts, one thing the top 5 shows here all have in common is their uncompromising and brilliant scripting.
6. Chuck. Once you get past the fact that everyone seems to be connected to some espionage organization, you can just sit back and enjoy the easy charms of this action-spy-comedy. The antics at the Buy More are just as entertaining as the main plots that drive the action, and the Chuck / Sara romance takes what could be a cliche and finds equal parts humor and pathos. Plus, any show that saves the world by getting high score on a Missile Command arcade machine is okay in my book.
7. In Treatment. HBO's novel experiment - a five night a week, 30 minute drama, with each episode being one session between a shrink and one of his patients -- delivered the goods with claustrophobic and searing performances. All of the sessions were involving and dramatic, but the ones with damaged gymnast Mia Wasikowska were riveting.
8. CBS Monday Comedy. Okay, I'm cheating here (and on the next one) by combining two shows into one entry. But the one-two punch of How I Met Your Mother and The Big Bang Theory is a treat on a night crammed with eminently watchable TV. HIMYM continued being one of the best under the radar classic sitcoms ever, and the fractured narratives and pop culture concepts (like "the naked man") never fail to amuse. Season 2 of Big Bang sanded off some of the rough edges, and made all the characters engaging and involved. Now we can laugh with them, instead of at them.
9. NBC Thursday Comedy. Despite an overreliance on guest stars, 30 Rock easily produces the highest laugh / minute ratio of any show on TV. Liz Lemon is a dysfunctional Mary Richards for the modern era, and Alec Baldwin's Jack Donaghy is an inspired comic creation. The Office ventured away from some of the unbelievably stupid (like following a GPS into a lake) antics and found its groove again with Micheal's relationship with the dorktastic Holly.
10. Burn Notice. This burned spy caper show is an easygoing marvel of efficiency. The plots hum along, giving viewers lots of little "how to" insights into the world of spycraft, all while providing a healthy dose of sex appeal, action beats, humor, yogurt and geek deity Bruce Campbell.

Honorable Mention (in no particular order):

• Supernatural. I'm not sure why I didn't latch on to this show when it started, but I just spent the xmas break devouring the first 3 season on DVD, and catching up on TiVo'd season 4. A worthy successor to the Buffy/Angel/X-Files tradition of character-based drama, scares and laughs.
• Law & Order (original recipe). The new cast is the best since the glory years.
• House. House and Wilson are as great as ever, but I don't care about Cuddy's baby (showrunners: please stop adding kids to shows. I tune out. Thanks. TNRLM). And as hot as Olivia Wilde is, I don't care that much about Thirteen. Or Foreman.
• Life on Mars. Intriguing and entertaining. Worth watching for Michael Imperioli's mustache.
• Dexter. Micheal C. Hall is certainly Emmy-worthy (as always), Jimmy Smits was a live-wire foil for the year and Deb is still delightfully profane. But see House above: please stop adding babies.
• The Closer. A by the numbers procedural, anchored by an electric central performance and a talented supporting cast.
• Fringe. Could have easily made it into the Top 10 with a greater sample. Many don't like Anna Torv's Olivia, but I think her stoic performance is right in line with the character (plus, we got to see her lighter side late in the season when she was doing shots). Walter Bishop is the best new character on TV, and his son Peter is delightful snarky.
• Eli Stone. I want to dislike this because of the religiosity and consistently preachy lefty politics, but I can't. It's too well crafted.
• True Blood. It took a while to find its footing, but this deep south vampire show showed considerable promise.
• The Mentalist. TV's highest rated new drama was yet another procedural, but one with a charming and star-making performance from lead Simon Baker.
• Torchwood. Upped the body count this year, and just as kooky, sexy and entertaining as year one.
• Terminator: The Sarah Connor Chronicles. I'm getting a little tired of the terminator of the week being sent back in time, but the central mysteries, dramatic performances and character conflicts keep me coming back eagerly.
• Bones. A modern Moonlighting for the cadaver set, without the lead actor antipathy. Charisma to burn, and the addition of Sweets was a smart move (and goes a long way to make up for the Zack debacle).
  

I'll take potpourri for $2,800, Alex

Welcome back, y'all. Not much activity on the old blog front for the past week or so, as I've been slammed at work (wait -- I don't do this for a living? I'm up to $1.47 on my adsense account!) and traveling back and forth to the motherland to follow the alma mater. However, I'm back for a couple of weeks, and can now bring you up to speed on the some of the interesting things around the interwebs:

"Have a baby for love. Not German engineering." Brooke Shields is perfect in these VW ads. Funny stuff.

10 unfinished sci-fi/fantasy series that need to be finished. Though it's not listed in the numbers (but in the opening 'graph), I actually enjoyed Threshold. Carla Gugino, Data and the Dinklage? I watched. I'm not sure about being "finished," but I would enjoy checking in again with Quantum Leap, The 4400, Firefly (yeah, I enjoyed Serenity, too, but really, really wanted these folks on my TV every single week) and V. We were a very "mini-series" watching family when I was young (Roots, Thorn Birds, Winds of War, Shogun, etc.), but V was the first one to hit right in the geek wheelhouse that Sam and I loved.

Thoughts on the new season of Bones. I thought the London season opener was a bit too silly for my tastes, though I did dig the British cop. The whole Angela/Hodgins breakup seemed shoehorned in and out of nowhere, and I'm not sure where they're going with that. And I'm not entirely happy with the "Zack situation," though I never really liked Zack and think that Sweets is a much better and more entertaining character to get airtime. Plus, the "He can hold his breath for three minutes down there!"quote made me laugh. Tempy, I have the lung capacity of a tubercular hamster, but I'd be happy to spend more than three minutes.

Herbstreit predicts the Dawgs/Poultry game. I hope he's right.

A nugget of proof for the existence of a deity.

A recent Mandel column, in which he discusses SEC fans chanting "S...E...C" at the end of games. Have we been doing this? I'm not sure. It's been awfully quiet at the bottom of my flask. (BTW, I finished his book on the recent trip home. Good reading, and recommended for college football fans).

Uh-oh. Dollhouse shuts down production for a couple of weeks. Signs of trouble with the scripts? Lack of faith by the FOX suits? Normal development? I'd love to play Kevin Bacon and scream "Remain calm! All is well!" But visions of Firefly dance through my head. Shit. I can't take another early cancellation.

As if the Big 10 wasn't humiliated enough by the SEC lately, a Gator skank comments on the viability of Big 10 chicks to grace the cover of Playboy:

In addition to showing up on tonight's summer finale of Psych, Gary Cole will be appearing on Chuck as Sarah's dad. Awesome.

Did Texas and UTEP play a neutral site game in Columbus, GA?

The Vandy juggernaut pwns Darth Visor.

A laugh out loud South Park license plate.

The obvious mistake -- offering a sandwich. I would have gone with Zaxby's chicken fingers or maybe a Bourbon Street steak.

AJ Green is talented. And humble.

The season -- and let's hope not the series -- finale of The Middleman was a geektastic Oreo double-stuffed with awesome. Here's a list of the numerous references for that ep.

Glen Larson seems like a douchebag for not worshipping at the feet of the revived BSG, but hey, he gave us "frak."

The Zack and Miri redband trailer. Yep, I'm there.

9 things you shouldn't buy new. I don't know if I agree with all of those, but I'll never forget the words of a former mentor: "If it flies, floats or fucks....rent, don't buy."

I'll take potpourri for $2,700, Alex

Has Chad Johnson actually changed his legal name to "Ocho Cinco?" That's bizarre, and just plain funny.

SI offers up their writer predictions on the college football season. Dawg-related:

• 7 writers, only 2 see UGA in the title game. 3 see us in the Sugar. Only Andy Staples predicts a Dawgs national championship ("They may be a trendy pick, but the Bulldogs have all the elements of a championship team -- including the brutal schedule.")
• One picks ASU as a "flop," citing a porous O line. That bodes well for Willie's boys.
• Beanie Wells and Jorts Jesus seem to be the Heisman favorites, but one writer throws this in there: "Trocchi: Matthew Stafford, QB, Georgia. The Bulldogs' signal-caller has the weapons he needs to fulfill his enormous potential."
• In "Next Household Name," no one mentions AJ Green. I hope they're wrong.

Before the first ep of the second season has aired, NBC picks up the full season of Chuck. Hell yeah!

Speaking of the Chuckster, here's a fantastic interview with creator Josh Schwartz.

One of my most anticipated new shows of the fall is HBO's True Blood. Check out this interview with Alan Ball.

ESPN's Chris Low on the 25 things he's looking forward to about SEC football. Nice touch to start the list with Munson.

Biden is even further left on taxes than the chosen One. For all the people getting quivery over this, who the hell do they think creates and sustains the jobs for the middle class? Oh yeah, the folks that the Donkeys want to tax into oblivion. I'm sure that will work out in the long run. (and in order to be "fair and balanced," I loathe the theocratic flat earthers on the right, too. They just want to steal less of my money. Yikes. This whole two party system is making me nauseous. Thank Zeus football season is here for a distraction).

I had no idea that the "new" James T. Kirk is being played by Robert Pine's son. I knew the names were the same, of course, but didn't realize they were related. Robert Pine is a veteran character actor that's been around doing good work forever, but I remember him most as the Sergeant on CHIPS.

Top 10 fictional sports.

Tidbits about Woody Allen at the box office. I saw Vicky Christina Barcelona this week, and it was fantastic.

"Hey! Teacher! Leave those kids alone!" Great title for an article about awful fictional educators. Features many recognizable and touchstone characters, including Synder from Buffy.

This take on Dancing With The Stars cracks me up. And if they actually go through with having Ted McGinley, does that mean the show will get cancelled before they crown a winner? Only casting the adorable Paula Marshall could doom it more.

The Dude still abides.

Recap of Mad Men's "Three Sundays" episode. Money Quote: "I want Sally to make all of my drinks for me. 9% tomato juice, 91% booze. " Perhaps the only valid argument for reproduction I've heard.