What To Watch: Thursdays

Previously, on TNRLM's What To Watch: Monday, Tuesday, Wednesday.

It doesn't matter if you are a network executive, a showrunner, a media buyer or a viewer. You might want to rework the U2 anthem to be "Thursday, Bloody Thursday," because the pile up of shows on this, the weekday's most watched night, is going to epic. Thursday has long been a high traffic, high profile night (remember "Must See TV?"), but this year, each and every network (along with some cablers) is pushing their chips to the center and saying "all in." There's probably a little blood in the water, as one of the highest rated shows in recent memory, CBS's CSI: Original Recipe, showed signs of slowing down last year with the departure of star William Peterson.

So what to do here? Probably push your TiVo to the limit, and make some concessions about what to watch at home, what to watch online, and what to catch on DVD.

Show	Net	Day	Time	Priority
Bones	FOX	THU	800	Watch
Flash Forward	ABC	THU	800	Watch
CSI	CBS	THU	900	DVR
Fringe	FOX	THU	900	Watch
Supernatural	CW	THU	900	Watch
The Office	NBC	THU	900	DVR
30 Rock	NBC	THU	930	DVR
Community	NBC	THU	930	DVR
It's Always Sunny in Philly	FX	THU	1000	Watch
The Mentalist	CBS	THU	1000	DVR

Bones: Bones has steadily grown in its time on the air, and become a nice little Moonlighting-esque crime show rounded out by a talented supporting cast. However, there were some serious missteps this past year, culminating with one of the worst season finales I've ever witnessed (if you watch the show, you know what I'm talking about, but suffice to say, an overly complicated coma dream sequence combined with a visualization of a novel in progress that results in character development that doesn't really happen is not how you want to cap off an up and down season). During the season, Booth had several hallucinations (the ghost of a dead war buddy, a hockey player, Stewie from Family Guy) that could have been ultimately explained by his brain tumor. Yet in the episode with the "ghost," the writer/director made a conscious decision to have Brennan actually see and interact with the damned "ghost." How can people, on a non-supernatural show, share a brain tumor created hallucination? Yikes. So, I'll give Bones a shot at explaining some of this away and getting back on track, but it's on a short TiVo leash.

Flash Forward: Interesting premise. Everyone on Earth blacks out for two minutes, seventeen seconds (expected cataclysmic chaos ensues), and has a "vision" of their future, six months from that point. Too high concept? Not sure, but it has an appealing cast, including Joseph Fiennes, John Cho, Jack Davenport, Peyton List (Roger Sterling's new bride!), Courtney B. Vance and Lost's Dominic Monoghan and Sonya Walger. It's based on a novel by Robert Sawyer, but will depart dramatically from the book (though it has the blessing of Sawyer, who will also contribute scripts to the show).

CSI: Still the best of the CSIs (though that's not saying much these days), this old warhorse went through some serious upheaval. Peterson left, and was replaced (awkwardly) by Laurence Fishburne. Great actor, but I'm not sure his character "clicked" with the rest of the cast. Jorja Fox, who I can't stand to watch, also left the show, but apparently, she will be returning in some capacity this season. One of the few new characters they introduced, Lauren Lee Smith's Riley, leaves the show, which I view as a loss. Still, the writing here is sharp (with plenty of geek scribes on staff, including some from Trek and BSG -- the murder at a sci-fi convention was a highlight last year) and the "lab rats" are consistently amusing. I'll probably keep my season pass, albeit on a secondary DVR (or west coast feed).

Fringe: Like most new shows, Fringe had problems figuring out a consistent tone and style of storytelling during its freshmen debut. However, it got much, much better as the season progressed, and it features one of best casts on TV, anchored by Anna Torv, Joshua Jackson, Blair Brown, Lance Reddick and Emmy worthy scene stealer John Noble as a literal mad scientist. (Many critics were divided on Torv, but I think she played what they gave her beautifully). Spock himself, the legendary Leonard Nimoy, will build on his cameo at the end of season one as the mysterious William Bell, and the reveal of an "alternate reality universe" gives this tech-driven X-Files for a new generation plenty upon which to build new mysteries and thrills.

Supernatural: I was late the Winchester brothers party, and caught up last year via a DVD binge, but it was well worth it. (Noted TV critics Mo Ryan and Matt Roush did the same thing). I had initially dismissed the show as yet another featherweight CW teen pander, but boy, was I wrong. Supernatural is a worthy heir to the mantle of shows (like Buffy, Angel, Lost and the X-Files) that effectively and creatively blend thrills, chills, scares and laughs with moving long term storytelling. You'll be on the edge of your seat one moment, then laughing your ass off the next. This year, the show adds to its usual classic rock and monsters sensibility by letting Lucifer walk the earth engaging in an apocalyptic showdown with militant angels. Fun!!

The Office / 30 Rock: The Office is one of those rare shows to effectively handle the "will they or won't they" romantic tension between the leads in a logical and appealing way. Jim and Pam got together, got engaged, and are expecting. While this is great news for the shippers, it puts me on alert, since nothing kills a show for me more than pregnancies and kids. Still, it's very well written and acted, and I'll likely keep it around until the Babies R Us stuff becomes unbearable. As for 30 Rock, no show on TV has a higher laugh per minute ratio.

Community: A new show, headlined by The Soup! snarkmeister Joel McHale and Chevy Chase, looks subversively promising.

It's Always Sunny in Philadelphia: Another show I missed originally, and caught via the power of reruns and the interwebs, but will be adding to the season pass list without hesitation. Sunny isn't for everyone -- the characters are all hilariously self-absorbed and amoral. Take a look through the list of episode titles (which include "The Gang Gets Racist," "Mac Bangs Dennis' Mom," "The Gang Finds a Dumpster Baby" and "Sweet Dee's Dating a Retarded Person") and see for yourself if this appeals to your sensibilities. It certainly does mine, and holy shit is this show laugh out loud funny.

The Mentalist: This was last year's highest rated new show, and it finally made a bona fide TV star out of Aussie Simon Baker (after failed attempts with The Guardian and the sadly little watched Smith). As the wits on USA's Psych like to mock (deservedly so), The Mentalist is basically straight crime procedural version of the former show. Is it "must see" TV? Probably not. Is it one of the better and more engaging crime dramas on? Probably so. Baker is a charming lead, and the supporting cast plays well together. There's room enough on my TiVo for two fake psychic detectives (even if both of them aren't fascinated with pineapples and 80s pop culture references).

Whew. I can smell the DVR overheating now.

I'll take potpourri for $4,500, Alex

I'm just going to close my eyes and put my hands over my ears and chant "lalalalalalala" and totally ignore the financial machinations of Fox, which might delay the release of Watchmen on its scheduled date. And instead, watch two new videos: A featurette on story and characters, and a look at the making of the iconic "Minutemen" photo. (in Quicktime)

An awesome recap of i09's 2008 "triviagasms."

Lost fonts and logos!

Happy birthday, my favorite hairstyle (er, just to be clear, not for me).

Mandel's early preseason top 10. The plague of evil is number one. And since it's a Mandel column, UGA is nowhere to be seen. Anyone else have that vague "2005" feeling yet? 2004 was the swan song of some celebrated players, and there were great expectations that fell short that year. The next year, we flew a bit under the radar and took care of business. Too soon?

Betty Draper looking smoking hot.

AJ Green voted to all-freshman team (along with Julio Jones). So who was the SEC freshman of the year? Depends on who you ask. Coaches say AJ. AP says Julio.

The top 500 worst (aka "most common") passwords of all time. Evidently, the list was compiled from people that have no imagination, like their own name, are geeks (NCC1701!) and enjoy casual profanity. A funny list to peruse.

Statistical savant Bill James on why the computer models used for the BCS suck.

Apple's latest and greatest:


Apple Introduces Revolutionary New Laptop With No Keyboard

Young John Connor talks about the upcoming eppys of T:TSSC, and addresses one of my (few) complaints (too many terminators coming back from the future).

A dog, and elephant, and....aaaawwwwwwww. Sniff.

Recap of this week's Mentalist eppy. A good reason why this show is resonating: it delved into the arc, but upended "regular procedural expectations." When Jane decided he was going after Red John, as a viewer we've been conditioned to think that Lisbon would have a big argument with him and try to talk him out of it. Instead, she was supportive. I like the team here, and it makes this procedural better than average.

The Breakfast Cereal Club. Hilarious.

Interview with Lisa of "Wendy and Lisa" fame. Hot, talented, funny AND a comic-book fan? Awesome.

Let's just make sure we understand the truth: it's NOT a "tax cut" if you don't pay taxes. (It's theft and welfare at gunpoint). It makes my blood boil that the mainstream media ALWAYS overlooks this point. And why do breeders get more of everyone's money? It's a fucking choice.

A baseball writer has some thoughts about Dale Murphy for the HOF.

A little light reading for all the "climate change" and "global warming" nuts. And a prominent politician doesn't toe the "politically correct" line. Good for him.

I love the whole "houndstooth" thing at 'Bama. Look at the gloves.

A pretty misogynistic and disgusting look at dating from one of those "pick up artist" types. But underneath all the disturbing and offensive rhetoric, is there perhaps a kernel of truth? I can probably pick out one horrific and life-wrecking moment from my past, and think that in hindsight, I should have taken the "Danger Will Robinson!" warning signs seriously. Sigh.

And along the same lines, Micheal K never fails to crack me up.

Where were these teachers when I was in school?

An NFL draftnik is a little surprised after doing an analysis of Matt Stafford.

Top 25 fictional ads in sci-fi.

Is this the first step in Skynet and the rise of the machines?

Good list of 14 disastrous revamps.

The flat-earthers take umbrage over a holiday greeting on a sci-fi blog.

A pleasant surprise. But he probably could have "predicted" that.

One of the unexpected pleasures of the fall season has been The Mentalist on CBS. When I was mapping out my fall TV schedule and examining which new shows I would sample, it made the first cut of scrutiny, but I was really thinking "who needs a dramatic, procedural version of Psych?"

So I let it languish on the TiVo for a while (much like I did Simon Baker's last show, the quickly canceled Smith), but it's turned out to be one of the few big hits of the new shows (though if you look at the "demo," Fringe, another show I really like, can also be considered an unqualified success). Being a bit hit won't necessarily sway me, since I loathe 99% of reality TV and gave up on Grey's Anatomy long ago, but it did encourage me to give The Mentalist a try, since it was apparently going to be around for a while.

And guess what? It's a charming, funny, entertaining hour. Not always "funny Ha-Ha," like its obvious antecedent Psych, but more slyly amusing. The premise of the central characters is the same, in that both shows revolve around a "fake psychic" who really just has unusually good powers of observation, intuition and persuasion. (In Psych, Shawn keeps up the illusion of being a psychic; on The Mentalist, Patrick Jane is a former charlatan who gave up the gig when his wife and child were killed by a serial killer). The mysteries are standard issue procedural stuff, but with a unique spin and aided by Simon Baker's winning performance. This week's show, where Jane encountered a purported real psychic, icily played by Jack Bauer's dead wife, was a particularly good one.

The thing that I admire the most about the show is that it steadfastly avoids the usual trope where the rest of the squad, and often the team leader, disbelieves and argues about Jane's contributions to the cases. Here, the officer in charge, played by Robin Tunney (on whom I've had a crush since Empire Records and The Craft) is respectful and only occasionally skeptical. I would have groaned and rolled my eyes at the expected tension and friction, which we all would have seen coming from a mile away, but to its credit, the show has carefully subverted those expectations to make her, and the rest of the team, actively utilize their oddball compatriot's gifts. The rest of the supporting cast does a fine job, and I really look forward to watching the show each week. Check it out if you have a chance. B+