If Dollhouse continues, someone is obviously going to die, since Joss just loves killing. :-) Here are "his" 16 most painful deaths.
BSG composer Bear McCreary interviews four of the final five Cylons. (And holy frak! What a mind-blowing expositionarama last night with "No Exit." I'm still wrapping my noodle around the Cylon history lesson).
Sam Tyler may have a Life on Mars, but it looks like he won't have much of one on our TVs, if these ratings are any indication. Damn.
E!s Kristin chats with real life couple Michael Emerson and Carrie Preston. More here with Ben. And Juliet, too.
More thoughts on science and religion, and how the twain shan't meet. Related: "Oh, it's a miracle! Oh...that one, not so much."
I don't get into hockey, but some of these "goal" calls crack me up.
TV Gal isn't panicking about Dollhouse (quality-wise).
If Emily Blunt can't be Natasha Romanoff, then Eliza wants in. How's her Russian? Or maybe ScarJo?
A peek at Watchmen's "Tales of the Black Freighter."
A chat with the Ellen Tigh herself, Kate Vernon.
Matt Stafford the top rated QB in one scout's eyes.
To any gals excited about this, I'm ready to beam up.
Put your money where your mouth is, when it comes to Octomom.
Dragging down the collective IQ of the country.
I don't have any stories about him being a bad tipper, but I did have my own brief Michael Stipe encounter. In college, I made a late night trip to Kinko's to make copies of a paper I was writing, and there he was hanging out. (Why "hang out" in a Kinko's at 2 in the morning? No clue). But to call him "disheveled" would do in injustice to hobos. And I don't think I've ever been in proximity to someone who smelled quite so bad. Either he was living out of a dumpster in those days, or had decided to roll around in a compost heap with a sack full of dead mackerels before making a few copies. Ahhh, the exciting life of a rock star.
A chat with dear, departed Charlotte Staples Lewis.
A profile in asshattery. If your first impressions where that this guy was a douchenozzle, then read on.
The geek worlds collide. Summer Glau on Big Bang Theory? AWESOME. Just as awesome? Felicia Day on Dollhouse!
Awwwwww.
Klingon night school.
An interesting profile of Herschel Walker, from Jeff Pearlman's blog (he wrote the recent Cowboys book, "Boys Will Be Boys."). Pearlman also worked at ESPN for a while, and here are his top 10 things that irk him about the WWL.
Baseball Prospectus looks at the 2009 season. Braves with a winning record, and tied with the Phillies for the Wild Card? Wonder how the season series with the World Champs turns out?
If this program was used in Columbus, GA, I think the application would require all the geopbytes of all the internet storage in all the world.
Every single filthy fucking thing said on The Sopranos. EVER.
Did Peter Bishop want to be Captain Kirk?
Richard Hatch "defends" Tom Zarek.
Guess I'm not going to retire (or even buy some Whiskey and Ramen Noodles) doing this here blogging thing.
Does the brain make up the need for god?
AOL's "Best Shows of the 90s." Some highlights: Star Trek: TNG 29, SportsNight 19, South Park 16, Northern Exposure 15, Frasier 14, Law & Order 11, The Sopranos 10, The X-Files 6, Buffy 4, The Simpsons 3, Seinfeld 1. You look through that list, other than what I've noted, and realize there was a lot of crap on in the 90s.
Happy Valentine's Day everyone! (Amazon is offering Marvin Gaye's "Let's Get It On" as a FREE download today!)
Showing posts with label Life On Mars. Show all posts
Showing posts with label Life On Mars. Show all posts
Saturday, February 14, 2009
Sunday, February 8, 2009
It's not lupus (and other musings)
Okay, if it's not lupus, then what is ailing House? TWOP has a handy top 10 list, which you can view here. I still tune in every week, but I'm just not enjoying it as much as I have in the past. Is it show fatigue? Personally, I don't think so. I watch a lot of procedurals, and I don't really mind the "case of the week," patient of the week," "crook of the week" or "monster of the week" format. With a show like House, you tune in because you know what you're going to get: a couple of bad diagnoses, patient almost dying, House insulting everyone, exasperated Cuddy, snappy dialogue, some Wilson humanity, everybody lies, patient cured. Rinse, repeat. I do admire the chances the show has taken in the past to try to shake things up, but the results have been a mixed bag. I liked Stacy. Hated Vogler. Hated Tritter. Liked Lucas the PI. Loved the "Survivor" competition. Loved Cutthroat Bitch, and thought the show ended beautifully last season. But this season has been kind of "blah."
TWOP's list hits on many of my frustrations. Adding a baby is never, ever a good idea. I don't care. I've never liked Foreman, and get bored every time he's on the screen. Olivia Wilde is a good actress, dead sexy and I'm glad that she's going to be in the Tron 2.0 movie. But I don't give a damn about Thirteen. So what could make that worse? Pair up Foreman and Thirteen! And have them suck the oxygen out of half the show each week! Yeesh. I still watch, but each week it's more out of a hope of a return to form, than a real anticipation. C+
Quickies on a few other shows:
Nip/Tuck. The show has always run on an undercurrent of inspired camp lunacy, but good lord what's happened to lately? Christian and Liz? Really? And the less said about Eden and Colleen the better. Possibly worth watching: guest turns coming up for Katee Sackhoff and Rose McGowan (and a check of IMDB shows that they'll be playing the same character. Huh?) D+
Heroes. Okay, we all know we've been on a slippery slope since the craptacular S1 finale. Can anyone keep track of how many times Sylar or Nathan have changed sides and motivations? And is there a worse actor on TV than Milo Ventimiglia? The most recent "volume" started last week, but I think the show may have already done too much damage, with ridiculous plot holes, inconsistent application of powers, cardboard performances and flat writing rolling downhill and building up steam. Bryan Fuller, late of a far, far better show, Pushing Daisies, has returned to the writing/producing team on Heroes, but his effect won't be felt until later this year. Will it be too late? Personally, I think they should junk all the bad characters and bad actors, and just keep Nathan, Sylar and HRG and start over. (And if you want to see Adrian Pasdar on something good, watch Profit. It's on TV occasionally, and on DVD. A great show, killed before it's time). C-
Big Love has come back strong this year, with intriguing storylines all about. I'm usually not a fan of shows that heavily features kids and families, but there's just something about the quality of this one that sucks me in. The performances from the three primary "sister wives" are all extraordinary, and I'm intrigued by the possible addition of a fourth wife to the mix. A
Bones. Something has just been "off" this season. The whole ridiculousness with Zack last year didn't do the show any favors, but that's not it, as I've actually liked the rotating cast of whack jobs they've had replacing him (English trivia guy is my favorite). Maybe it's just that the fine line between "realistic" crime solving and character based shenanigans has expanded too far to tonally accept. The chemistry between Booth and Bones is there as always, of course, but last week's ep with return of the Gravedigger was a blown opportunity. A ghost? You're kidding, right?! Didn't they just have a hallucinated character a few episodes ago, and then they do that again? Or was this supposed to be a "real" ghost? I mean, the ghost did "hand" Booth things in the ship, and then there was that WTF ending where Bones actually interacted with the "ghost." What the hell was that? And the less said about the circus episode the better (though Emily Deschanel in the knife throwing assistant getup is always welcome on my screen). C
Burn Notice. Just keeps doing what it does. Fun, frothy tales of espionage in Miami, with healthy helpings of spycraft how to and Bruce Campbell. A
Life on Mars. They made a HUGE mistake with their return from hiatus episode. When we last saw the show, it ended on a bit of a cliffhanger, with Sam receiving a strange call imploring him to go into the basement. When we come back, we get an out of sequence ep that didn't even address that plot development (though seeing Johnny Sack play another cop was fun, and I like the twist about Sam sleeping with the lovely Maggie Siff -- Rachel from Mad Men -- who turns out to be Hunt's daughter). Then, the next week, we do pick up the plot with the basement, adding some intrigue. The ratings are cratering, though, and the show is surprisingly not holding on to much of Lost's lead-in. I like the show, but I don't think it's long for this world, sadly. B
Supernatural. The season started off brilliantly, with Dean returning from Hell and the addition of badass "angels" to the mix and mytharc. Then, we had a few standalone MOTW episodes, including one that seemed like an equally disturbing homage to the X-Files classic "Home" and another entitled "Criss Angel is a Douche Bag." How can you not love that? Thursday's eppy, "Sex and Violence," was dark, twisted, funny and surprising. A great, underrated show. A
TWOP's list hits on many of my frustrations. Adding a baby is never, ever a good idea. I don't care. I've never liked Foreman, and get bored every time he's on the screen. Olivia Wilde is a good actress, dead sexy and I'm glad that she's going to be in the Tron 2.0 movie. But I don't give a damn about Thirteen. So what could make that worse? Pair up Foreman and Thirteen! And have them suck the oxygen out of half the show each week! Yeesh. I still watch, but each week it's more out of a hope of a return to form, than a real anticipation. C+
Quickies on a few other shows:
Nip/Tuck. The show has always run on an undercurrent of inspired camp lunacy, but good lord what's happened to lately? Christian and Liz? Really? And the less said about Eden and Colleen the better. Possibly worth watching: guest turns coming up for Katee Sackhoff and Rose McGowan (and a check of IMDB shows that they'll be playing the same character. Huh?) D+
Heroes. Okay, we all know we've been on a slippery slope since the craptacular S1 finale. Can anyone keep track of how many times Sylar or Nathan have changed sides and motivations? And is there a worse actor on TV than Milo Ventimiglia? The most recent "volume" started last week, but I think the show may have already done too much damage, with ridiculous plot holes, inconsistent application of powers, cardboard performances and flat writing rolling downhill and building up steam. Bryan Fuller, late of a far, far better show, Pushing Daisies, has returned to the writing/producing team on Heroes, but his effect won't be felt until later this year. Will it be too late? Personally, I think they should junk all the bad characters and bad actors, and just keep Nathan, Sylar and HRG and start over. (And if you want to see Adrian Pasdar on something good, watch Profit. It's on TV occasionally, and on DVD. A great show, killed before it's time). C-
Big Love has come back strong this year, with intriguing storylines all about. I'm usually not a fan of shows that heavily features kids and families, but there's just something about the quality of this one that sucks me in. The performances from the three primary "sister wives" are all extraordinary, and I'm intrigued by the possible addition of a fourth wife to the mix. A
Bones. Something has just been "off" this season. The whole ridiculousness with Zack last year didn't do the show any favors, but that's not it, as I've actually liked the rotating cast of whack jobs they've had replacing him (English trivia guy is my favorite). Maybe it's just that the fine line between "realistic" crime solving and character based shenanigans has expanded too far to tonally accept. The chemistry between Booth and Bones is there as always, of course, but last week's ep with return of the Gravedigger was a blown opportunity. A ghost? You're kidding, right?! Didn't they just have a hallucinated character a few episodes ago, and then they do that again? Or was this supposed to be a "real" ghost? I mean, the ghost did "hand" Booth things in the ship, and then there was that WTF ending where Bones actually interacted with the "ghost." What the hell was that? And the less said about the circus episode the better (though Emily Deschanel in the knife throwing assistant getup is always welcome on my screen). C
Burn Notice. Just keeps doing what it does. Fun, frothy tales of espionage in Miami, with healthy helpings of spycraft how to and Bruce Campbell. A
Life on Mars. They made a HUGE mistake with their return from hiatus episode. When we last saw the show, it ended on a bit of a cliffhanger, with Sam receiving a strange call imploring him to go into the basement. When we come back, we get an out of sequence ep that didn't even address that plot development (though seeing Johnny Sack play another cop was fun, and I like the twist about Sam sleeping with the lovely Maggie Siff -- Rachel from Mad Men -- who turns out to be Hunt's daughter). Then, the next week, we do pick up the plot with the basement, adding some intrigue. The ratings are cratering, though, and the show is surprisingly not holding on to much of Lost's lead-in. I like the show, but I don't think it's long for this world, sadly. B
Supernatural. The season started off brilliantly, with Dean returning from Hell and the addition of badass "angels" to the mix and mytharc. Then, we had a few standalone MOTW episodes, including one that seemed like an equally disturbing homage to the X-Files classic "Home" and another entitled "Criss Angel is a Douche Bag." How can you not love that? Thursday's eppy, "Sex and Violence," was dark, twisted, funny and surprising. A great, underrated show. A
Subscribe to:
Posts (Atom)
Posts
