Watching BSG last night, I couldn't help but be fascinated with Mary McDonnell's portrayal of Laura Roslin. Here's a woman who has the political responsibility of the colonies (and the survival of the human race!) weighing on her shoulders, and yet she still finds a way to be compelling, compassionate, funny, flirty, strong and intelligent. (Compare that to Adama's leadership style. While he also conveys the stoic and strong and often has to make the tough calls, he rarely lets his guard down around anyone, except Saul occasionally and those "stolen moments" on New Caprica). Plus, Roslin knows how to expediently find the nearest airlock for those who cross her.
Isn't this a bit sexy?
That, and seeing The Exorcism of Emily Rose last week, got me thinking about portrayals of "strong women" on TV and film. Sadly, women are usually portrayed as the victim, the hot babe or the slut, and there seems to be a dearth of roles that don't necessarily fit one of those characterizations while still being sexy. I'm thinking more of characters and actresses that wouldn't necessarily be at the top of an FHM list, nor rely on the traditional conception/perception of their "attractiveness" as an integral part of the role. For example, Lara Croft is supposed to be a very smart, very tough, very capable adventurer, but she's played by Angelina and there's just no getting around the fact that she's an exotic total babe. Or Buffy Summers, who was one of the best written and best acted female lead characters on TV, and was also a serious ass-kicker. Or Sydney Bristow. Great characters, but there's still a more "overt" (for lack of a better word) aspect of their sex appeal.
Here are some examples that bring to mind what I'm talking about:
Mary McDonnell as Laura Roslin
Laura Linney as Janet Venable in Primal Fear (tough as nails, a good litigator, razor sharp bob and a chain smoker. How hot is that? Or really, just about anything Laura Linney plays. She's just exceptionally good -- as I mentioned earlier about Emily Rose).
Amanda Tapping as Samantha Carter
Amy Acker as Fred Burkle
Linda Hamilton as Sarah Conner
Gillian Anderson as Dana Scully
Annette Benning as Elise Kraft/Sharon Bridger in The Siege
Karen Allen as Marion Ravenwood in Raiders of the Lost Ark
Emily Deschanel as Temperance "Bones" Brennan
Holly Hunter as MJ Monahan in Copycat
Gina Torres as Zoe Washburn
Sigourney Weaver as Ellen Ripley
Kyra Sedgwick as Brenda Lee Johnson
A little heavy on the "genre" roles, I know. Is that just my geeky sensibilities, or do there just seem to be more of these types of characters in this realm? I'm sure I'm missing some obvious choices, but nonetheless, it's nice to see.
Showing posts with label Airlocking. Show all posts
Showing posts with label Airlocking. Show all posts
Monday, February 19, 2007
Sunday, January 28, 2007
Sam Malone never threw anyone out of an airlock
The best show on TV just keep getting better. Tonight's BSG, "Taking a care from all your worries" was another riveting hour of television.
The title, as I'm sure you recognized, is from the Cheers theme song. (Evidently, Ronald D. Moore and the staff are fans, as they should be. When he was on Star Trek: Deep Space Nine, they had an alien character always present at Quark's bar named "Morn" -- an anagram of "Norm"). More than just that homage, however, it also tied thematically to the worries suffered by most of the principals here, including Gaius, Laura, Adama, Chief, the Quadrangle and even Gaeta. And give James Callis an Emmy.
I didn't realize EJO was going to be directing this one, but frak, he did a great job. The close ups were intense but not overdone, the dream sequence edgy (I'm with ya Gaius, but I don't have a hot blonde robot egging me on) and the drug fueled interrogations quite a trip.
Particularly memorable:
"I always knew I was different, special, maybe a little gifted."
"To marriage -- it's why they build bars."
Laura's first interrogation devolving into a screaming match, with the special guest appearance from Madame Airlock!
"Kara Thrace and her special destiny. Sounds like a bad cover band."
"I did see this coming and I married you anyway." (Right there with ya, Dee).
"Try not to make any loud noises." (Always helpful advice when beginning the long, hard hallucinogenic trip. Er, or so I've heard. From others).
Burnt kids around the tub. Eerie.
"He won't buy that coming from us." "Of course not."
"I didn't think I ever really realized that until I knew that I was losing you." (Like that's gonna work, Lee).
Every thing that Saul Motherfucking Tigh says.
"Creature comforts. That's the clincher." (and loved the wave to the camera. Callis' whole take on the scene, staring broken and scared and winding up playing with Gaeta was just top notch acting. I was serious about the Emmy before).
Adama's solution with Gaeta? Priceless. That's how you negotiate with a hostage taker.
Not so much:
Can we please put an end to Dawson's Galactica? Is the quadrangle dead? Pretty pretty please? And the intercuts between Lee and Gaius toward the end, each baring their soul, felt too manipulative to me and didn't exactly balance in the grand scheme. I don't see a lot of parallelism between genocide and adultery (though both should be punished by Airlocking! Unless it's Gaius).
Absolutely riveting.
The title, as I'm sure you recognized, is from the Cheers theme song. (Evidently, Ronald D. Moore and the staff are fans, as they should be. When he was on Star Trek: Deep Space Nine, they had an alien character always present at Quark's bar named "Morn" -- an anagram of "Norm"). More than just that homage, however, it also tied thematically to the worries suffered by most of the principals here, including Gaius, Laura, Adama, Chief, the Quadrangle and even Gaeta. And give James Callis an Emmy.
I didn't realize EJO was going to be directing this one, but frak, he did a great job. The close ups were intense but not overdone, the dream sequence edgy (I'm with ya Gaius, but I don't have a hot blonde robot egging me on) and the drug fueled interrogations quite a trip.
Particularly memorable:
"I always knew I was different, special, maybe a little gifted."
"To marriage -- it's why they build bars."
Laura's first interrogation devolving into a screaming match, with the special guest appearance from Madame Airlock!
"Kara Thrace and her special destiny. Sounds like a bad cover band."
"I did see this coming and I married you anyway." (Right there with ya, Dee).
"Try not to make any loud noises." (Always helpful advice when beginning the long, hard hallucinogenic trip. Er, or so I've heard. From others).
Burnt kids around the tub. Eerie.
"He won't buy that coming from us." "Of course not."
"I didn't think I ever really realized that until I knew that I was losing you." (Like that's gonna work, Lee).
Every thing that Saul Motherfucking Tigh says.
"Creature comforts. That's the clincher." (and loved the wave to the camera. Callis' whole take on the scene, staring broken and scared and winding up playing with Gaeta was just top notch acting. I was serious about the Emmy before).
Adama's solution with Gaeta? Priceless. That's how you negotiate with a hostage taker.
Not so much:
Can we please put an end to Dawson's Galactica? Is the quadrangle dead? Pretty pretty please? And the intercuts between Lee and Gaius toward the end, each baring their soul, felt too manipulative to me and didn't exactly balance in the grand scheme. I don't see a lot of parallelism between genocide and adultery (though both should be punished by Airlocking! Unless it's Gaius).
Absolutely riveting.
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