Random thoughts on the Fall TV Season:
Newly minted Emmy Winning Best Drama Mad Men returned Sunday night with a fantastic episode. I started writing a long treatise on the sad, urine-stained career arc of Freddy Rumson, the meaning of a “name,” Roger Sterling’s end of the episode surprise and Betty Draper’s desperate housewife days, but realized that a couple of professional critics had already done the job quite well. Check out some thoughtful examinations of “Six Month Leave” here and here.
It’s sad that the ratings for Terminator: The Sarah Connor Chronicles are cratering. I think this season has been even better than the last, and Monday’s eppy with a look at Cameron’s story was fascinating, and very well acted by Summer Glau. Rumors addressed here.
Dexter returned Sunday night, and Jimmy Smits will be a welcome addition to the cast. All the elements that make this show a must-watch are there, though I hope the writers don’t feel compelled to make Dex’s latest victim a total scumbag in order to give our serial killer an easy, moral “out.” If the Sopranos and Mad Men and Deadwood have shown us anything, it’s that intelligent audiences will stick with a compelling character that operates outside the boundaries of traditional morality. One major complaint, though. The end of episode reveal introduced something that is typically a “show killer” for me. Why? Can’t even a show about a serial killer stay away from this? Gah.
Heroes season 3 is still an incomprehensible mess, plot-wise. (Examples: if future Peter can travel in time, why shoot Nathan? Why not just tell him what happens if he makes his reveal last year? Or transport him someplace else, away from the media? And if you have mastery over time, why let any of this happen in the first place? Same with Hiro. Why not go back BEFORE he let “the formula” get out of the safe?). Still, for the time being I’ll keep watching, if only because I find some of the characters and performances (HRG, Daphne, Sylar, Hiro, Nathan, Elle, Angela, Claire’s mom) entertaining. At least they’ve picked up the pace of the stupidity this year. Oh, and check out Jack Coleman’s (HRG) blog on TWOP. Much better than the show.
And here’s a funny take on how to grade Heroes episodes on a curve.
Anyone else digging Fringe? I really like it, and think the interplay between the three leads is amusing. And any chance for John Noble's character to talk about cocaine, LSD, root beer floats and cows is fine with me.
Still on board with the quirky detective on House.